![]() These curators must choose songs based on the station’s format and the interests of its listeners. Radio CuratorsĬurators of this nature are responsible for choosing which songs air on the radio. ![]() Plus, these curators don’t usually get paid to listen to music, they’re still in the process of building up a career. However, these independent playlists often carry lower subscriber/listener rates than editorial ones. They’ll build up some playlists and once they have a good following, artists come to them! These playlist curators are easier to access for artists and labels and are perhaps more likely to have the perfect niche playlist. ![]() Many curators who are just starting out use streaming platforms as a way to build a portfolio and practice their curator skills. In the digital age, these in-house curators are inundated with artists and labels all trying to secure a spot in a popular playlist. After all, some say playlists are the new radio! The curator must update these playlists on a regular basis and keep selected songs relevant to the playlist’s theme in order to keep fans engaged.Ĭurators in this sector can make or break a new release as most editorial playlists have thousands of subscribers. It’s their job to create popular playlists that music fans will listen to on a frequent basis encouraging subscriptions to the service. ![]() Streaming curators work in-house for streaming services like Spotify and Apple Music. They’ll then use this music for different purposes, depending on the type of music curator… Streaming Curators Say It Louder occasionally veers into mood music, substituting the melodic drive "Falling Stars" and "Keep Me Alive" with something more indebted to atmosphere than hooks, but there are few missteps here.Music is consumed everywhere in day to day life - You hear it on the TV, in shops, in gyms and everywhere in between! But, did you know, it’s actually someone’s job to choose the songs you hear when you buy your morning coffee or listen to a playlist on your way to work? That’s right, it isn’t any old random mix of music! It’s been cleverly designed by music curators who get paid to listen to music… What Is A Music Curator?Ī music curator spends their day listening to music – Sounds like a perfect job to me, getting paid to listen to music! However, it does get a little more complicated than that… A curator will listen to and categorise music from labels and independent artists often receiving hundreds of song applications a day! They will categorise them by genre, feel, instrumentation, male or female vocals and anything else you can think of! The more specific the categorisation, the easier it makes the curators job. Throughout it all, Siskind remains the focus of attention, wielding a voice that isn't conventionally beautiful as much as it is slyly arresting. One can hear the mountains in the way she corners her melodies, which jump from note to note with the sharp, lilting inflection of Blue Ridge bluegrass, while the presence of layered guitars and crisply brushed percussion steers some songs closer to the contemporary country camp. Raised by bluegrass musicians and steeped in the country traditions of her adopted Nashville, Siskind merges a number of southern genres into these 13 songs, sampling everything from Appalachian balladry to gospel-inspired folk in the process. Say It Louder is certainly a studio affair, far more elaborate and polished than any of Siskind's past releases, but its mix of genres helps shine a spotlight on the eclectic songcraft rather than the production. On Say It Louder, she proves to be a competent performer as well, dressing up her compositions with the sort of glossy, expansive production previously enjoyed by the major-label artists who cover her songs. ![]() Sarah Siskind's songwriting skills are difficult to refute, given her track record for furnishing artists like Alison Krauss with strong, Grammy-nominated singles.
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